Share |

ETERNA Vivid 500 & 160 Demonstration Film (Dion Beebe ACS, ASC)

To view this content, JavaScript must be enabled, and you need the latest version of the Adobe Flash Player.

Directors of Photography:

Fujifilm invited three highly esteemed cinematographers to test the rich, bold look of the new ETERNA Vivid 500 film stock. The three cinematographers were given free rein to create individual spots using the stock in challenging situations that also showcase ETERNA Vivid 500's ability to intercut with its sister stock ETERNA Vivid 160.

“There was a nice amount of detail in the shadow but I still got a very rich black. The stock really held up under these quite extreme lighting conditions.”

Scenes by Dion Beebe ACS, ASC

Scene No. 54

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 35mm, f/2 ⅔, No Filters
Lighting 2700 K all lights, Wall highlight: f/2.8 ⅔, Wall shadow: f/1.4 ⅓, Wood slats highlights: f/4, Shirt highlight: f/5.6 ½, Suit shadow: f/1

Scene No. 55

Film 35mm Vivid 160 at 160 ISO
Camera Arri 435
Lens 21mm Primo, f/2, No Filters
Lighting Kino flo 4 bank at left shining on black model 3710 K 4 Green, Briefcase: f/2 ⅔, Bright spot of floor left: f/5.6 ⅓, Back wall: f1 ¼, Far room in back: f/1 ¾

Scene No. 56

Film 35mm Vivid 160 at 160 ISO
Camera Arri 435
Lens 40mm Primo, f/2, No Filters
Lighting Kino flo 4 bank at left shining on black model 3710 K 4 Green, Briefcase: f/2 ⅔, Bright spot of floor left: f/5.6 ⅓, Back wall: f1 ¼, Far room in back: f/1 ¾

Scene No. 57

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 27mm Primo, f/2, No Filters
Lighting Briefcase midtone: f/1, Briefcase highlight: f/2 ⅓, Briefcase shadow: f/0.7, Back wall: f/2

Scene No. 58

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 35mm Primo, f/2 ⅔, No Filters, 48 FPS
Lighting 2730 K, Wall highlight: f/2.8 ⅔, Wall shadow: f/1.4 ⅓, Wood slat highlights: f/4, Suit shadow: f/1

Scene No. 59

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 27mm Primo, f/2 ½, No Filters, 48 FPS
Lighting Wall highlights: f/2.8 ⅔, Wall shadows: f/1.4 ⅓, Briefcase top highlight: f/2.8

Scene No. 60

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 40mm Primo, f/2 ⅔ No Filters
Lighting Light shaft from left 2710 K, Kinos at right 5170 K, Face, girl on bed: f/1.4 ⅔, Legs, girl on bed: f/2.8 ⅔, Face, girl in chair: f/4 ½, Shadow bottom bed: f/1.4 ⅔, Bright pillow: f/8, Hanging center light dark: f/8, Hanging center light, bright: f/11, Back wall blue: f/2, Back wall red: f/4 ⅓, Dark wall above fluorescents: f/1.4, Areas under fluorescents: f/4.5 — f/8

Scene No. 61

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 27mm Primo, f/2.8, No Filters
Lighting Tubular practical on table 2580 K, Kinoflo above table 5350 K, light shaft at left 3050 K, Model shadow: f/0.7, Model face: f/2.8, Practical on table: f/22 ⅔, Under fluorescent: f/2.8 ⅓, Front of table to camera: f/2

Scene No. 62

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 40mm Primo, f/2.8, No Filters
Lighting White bounce on face 2640 K, Model face: f/2.8 ⅓, Face shadow: f/1.4 ⅓, Model chest: f/2.8 ⅓, Model hair: f/1 ⅓, Bed white side panel: f/5.6 ⅓, White chair in back: f/4 ⅔, White dress of chair model: f/4 ⅓, Wall under fluorescent: f/4 ½

Scene No. 63

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 40mm Primo, f/2.8, No Filters
Lighting Model face: f/2 ⅓, Model face shadow side: f/1.4, Model hair: f/1 ⅓, White dress: f/5.6, Darkest black chair: f/ 0.7

Scene No. 64

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 40mm Primo, f/2.8, No Filters
Lighting Tubular practical on table 2580 K, Kinoflo above table 5350 K, light shaft at left 3050 K, Model face: f/2.8, Model shadow: f/0.7, Under fluorescent: f/2.8 ⅓, Practical on table: f/22 ⅔, Front of table to camera: f/2

Scene No. 65

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435 — Jib Arm Shot
Lens 27mm Primo, f/2.8, No Filters
Lighting Lights gelled with Rosco Urban Vapor 1740 K, headlights natural, Light reflection left wall: f/2.8 ½, Light reflection left with car close: f/11 ½, Bridge arches: f/1 ⅓, Wet road: f/8 ½, Columns (darkest to hottest): f/0.7 to f/4

Scene No. 66

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435 — Jib Arm Shot
Lens 27mm Primo, f/2.8, No Filters
Lighting Lights gelled with Rosco Urban Vapor 1740 K, headlights natural, Light reflection left wall: f/2.8 ½, Light reflection left with car close: f/11 ½, Bridge arches: f/1 ⅓, Wet road: f/8 ½, Columns (darkest to hottest): f/0.7 to f/4, Man face: f/2.8 ½, Man shoulder: f/2 ½, Briefcase reflection of lights: f/4 ½, Briefcase shadow: f/0.7

Scene No. 67

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 35mm and 50mm, f/2.8, No Filters
Lighting Lights gelled with Rosco Urban Vapor 1740 K, headlights natural, Light reflection left wall: f/2.8 ½, Light reflection left with car close: f/11 ½, Bridge arches: f/1 ⅓, Wet road: f/8 ½, Columns (darkest to hottest): f/0.7 to f/4, Man face: f/2.8 ½, Man shoulder: f/2 ½, Briefcase reflection of lights: f/4 ½, Briefcase shadow: f/0.7, Model face: f/2 ⅓, Model face shadow: f/0.7 ⅓, Model hair: f/1.4 ½, Car hood brightest: f2.8 ⅓

Scene No. 68

Film 35mm Vivid 500 at 500 ISO
Camera Arri 435
Lens 40mm Primo, f/2.8, No Filters
Lighting Man face: f/2 ⅓, Man face shadow on forehead: f/0.7 ⅓, White shirt highlight: f/2 ⅔, Ceiling brightest: f/4 ½, Ceiling shadows: too low to read
[an error occurred while processing this directive]