Behind the scenes with Philip Bloom creating the footage using a MK series T2.9 lens.
Filmed with the Blackmagic Pocket Cinema Camera 4K and Fujinon MK 18-50mm T2.9 and the 50-135mm T2.9.
In this short video, Alister Chapman describes how he used the Fujinon MK lenses with the SLR Magic Anamorphot 65 anamorphic 1.33x adaptor, the...
This short documentary was shot using the Fujinon E Mount MK lenses with the SLR Magic Anamorphot 65 1.33x anamorphic adaptor.
This video explains all the benefits of MK lenses with Blackmagic Pocket Cinema Camera 4K.
Here, DOP Bárbara Lopes discusses shooting the entire film on a Sony FS5 with FUJINON MK Lenses.
Behind the scene footage of Indonesian photographer ADITPK shot with Fujinon MK18-55mm T2.9 and PXW-FS7
Introduction movie for features of MK series, MK18-55mm and new MK50-135mm
Cinematographer Yoshihiro Enatsu from Marimo Records tested the Fujinon MK cine lens series
The footage shot by Philip Bloom in London with a MK50-135mm T2.9 lens and FS7
Behind the scenes with Philip Bloom creating the footage using a MK50-135mm T2.9 lens
Footage by cinematographer Taishi Hirokawa with with Fujinon MK18-55mm T2.9 and PXW-FS7
Introduction movie of FUJINON MK lens
Edo Arts shot with MK18-55mm T2.9
Behind the scene of FUJINON MK Lens - Image movie
The footage shot by Philip Bloom in Gran Canaria using a MK18-55mm T2.9 lens and FS7, FS5 and A7S II
Behind the scenes with Philip Bloom creating the footage using a MK18-55mm T2.9 lens
Long version:
https://www.youtube.com/watch
![[photo] Premista28-100mm T2.9 zoom lens](https://asset.fujifilm.com/www/cy/files/2019-09/4d543c79fc06649de61fe77bb3e0e5d8/thumb_01.jpg)