2/3" Studio / Field Box Lenses
Lineups
UA27x6.5BESM
- Advanced optical performance with 4K compatibility across the zoom range
- Achieving natural bokeh with the adoption of nine aperture blades
- 27x zoom from 6.5mm at wide angle to 180mm at telephoto for covering a wide variety of scenes
- Maximum aperture ratio of f1.5 to draw out full optical performance with 4K compatibility
- Equipped with 16-bit encoder*1
Specifications
-
Model Name
-
UA27x6.5BESM
-
Focal Length
-
[1x]
6.5-180mm[2x]
13-360mm -
Zoom ratio
-
27x
-
Extender
-
2x
-
Maximum relative aperture (F-no.)
-
1:1.5(6.5-123mm) 1:2.2(180mm)
-
Minimum object distance (M.O.D) from the front lens element
-
0.6m
-
Object dimensions at M.O.D.
16 : 9 Aspect ratio -
[1x]
6.5mm 1063 x 597mm
180mm 38 x 21mm[2x]
13mm 529 x 297mm
360mm 20 x 11mm -
Angular field of view
16 : 9 Aspect ratio -
[1x]
6.5mm 72.8° x 45.0°
180mm 3.1° x 1.7°[2x]
13mm 40.5° x 23.4°
360mm 1.5° x 0.9° -
Approx. Size
-
258mm x 264mm x 536mm (H x W x L)
-
Approx. Mass
-
22.8kg
UA70x8.7BESM
- 70x zoom lens covering the most frequently-used focal lengths from 8.7mm in wide angle to 610mm in telephoto
- Cutting-edge optical design to produce dynamic 4K footage in a diverse range of scenes
- Natural bokeh achieved with nine-blade diaphragm
- Stock-standard 16-bit encoder
Specifications
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Model Name
-
UA70x8.7BESM
-
Focal Length
-
[1x]
8.7mm-610mm[2x]
17.4mm-1220mm -
Zoom ratio
-
70x
-
Extender
-
2x
-
Maximum aperture ratio
-
1:1.7(8.7-340mm) 1:3.05(610mm)
-
Minimum object distance (M.O.D) from the front lens element
-
3.05m
-
Object dimensions at M.O.D.
16 : 9 Aspect ratio -
[1x]
8.7mm 2,935mm x 1,651mm
610mm 44mm x 25mm[2x]
17.4mm 1,537mm x 865mm
1220mm 23mm x 13mm -
Angular field of view
16 : 9 Aspect ratio -
[1x]
8.7mm 57.7° x 34.4°
610mm 0.9° x 0.5°[2x]
17.4mm 30.8° x 17.6°
1220mm 0.5° x 0.3° -
Approx. Size
-
258 x 264 x 610mm (H x W x L)
-
Approx. Mass
-
23.8kg
UA107x8.4BESM
- The world's first *2 4K-compatible broadcast lens that features the AF function
- Perfect for live sports coverage with the optical 107× zoom
- Unique optical image stabilization mechanism
- Vivid color reproduction and HDR-based rich tonal gradation for superior video production
- Natural bokeh achieved with 9blade diaphragm
- Standard feature of a built-in 16bit encoders
Specifications
-
Model Name
-
UA107x8.4BESM
-
Focal Length
-
[1x]
8.4-900mm[2x]
16.8-1800mm -
Zoom ratio
-
107x
-
Extender
-
2x
-
Maximum Relative Aperture (F-No.)
-
1:1.7 (8.4-340mm) 1:4.5 (900mm)
-
Minimum object distance (M.O.D.) from front lens
-
3.05m
-
Object dimensions at M.O.D.
16 : 9 Aspect ratio -
[1x]
8.4mm 3053mm x 1717mm
900mm 30mm x 17mm[2x]
16.8mm 1594mm x 896mm
1800mm 15mm x 9mm -
Angular field of view
16 : 9 Aspect ratio -
[1x]
8.4mm 59.4° × 35.6°
900mm 0.6° × 0.3°[2x]
16.8mm 31.9° × 18.2°
1800mm 0.3° × 0.2° -
Approx. Size
-
258mm x 264mm x 610mm
-
Approx. Mass
-
23.9kg
UA107x8.4BESM AF
- The world's first *2 4K-compatible broadcast lens that features the AF function
- Perfect for live sports coverage with the optical 107× zoom
- Unique optical image stabilization mechanism
- Vivid color reproduction and HDR-based rich tonal gradation for superior video production
- Natural bokeh achieved with 9blade diaphragm
- Standard feature of a built-in 16bit encoders
-
Model Name
-
UA107x8.4BESM AF
-
Focal Length
-
[1x]
8.4-900mm[2x]
16.8-1800mm -
Zoom Ratio
-
107 x
-
Extender
-
2 x
-
Maximum Relative Aperture (F-No.)
-
1:1.7(8.4-340mm) 1:4.5(900mm)
-
Minimum Object Distance (M.O.D.) from Front Lens
-
3.05m
-
Object Dimensions at M.O.D. 16 : 9 Aspect Ratio
-
[1x]
8.4mm 3052mm x 1717mm
900mm 30mm x 17mm[2x]
16.8mm 1594mm x 896mm
1800mm 15mm x 9mm -
Angular Field of View 16 : 9 Aspect Ratio
-
[1x]
8.4mm 59.4°x35.6°
900mm 0.6°x0.3°[2x]
16.8mm 31.9°x 18.2°
1800mm 0.3°x 0.2° -
Approx. Size
-
258 x 264 x 670mm(HxWxL)
-
Approx. Mass
-
26.0kg
- *1 The sensor for converting position information into digital signals; Zoom and focus position data is divided in 16-bit resolution and output as electric signals.
- *2 Among 4K-compatible broadcast lenses as of October 1st, 2019, according to Fujifilm